St Ives has long been a centre of avante-garde art activity. This book is concerned with the artistic events which occured there during the years 1939-75, and the broader circumstances in the art world which they influenced.

This is the remarkable story of the colony of artists who were inspired by the people, landscape and light of West Cornwall. Now internationally celebrated, they are forever to be associated with the small fishing ports of Newlyn and St Ives. Arriving from the artists' colonies of France, the Barbizon and Pont-Aven, and the painting schools of London and Paris, they set up their studios in the cottages and net lofts overlooking the sea. Here they painted; their subjects centred on the working life and conditions of the people they lived amongst, and the stark beauty of the rugged Cornish landscape. Challenging the accepted styles of the Victorian masters, their bold work, full of light and colour, often drew upon the working life of the fishermen and their families, recording the tragedies and simple pleasures of their lives. In The Shining Sands, Tom Cross records the life and work of these artists, from the earliest arrivals in the 1870s through to the decade preceding the Second World War. In this period the artists' colony grew into one of the most significant art movements of recent times, the influences of which directly inspired the post-war 'modern' movements, and which reverberate even today. The Shining Sands includes almost 100 colour pictures, and 200 images in all, produced by such artists as Walter Langley, Frank Bramley, Stanhope Forbes, Norman Garstin, Elizabeth Forbes, Lamorna Birch, Laura Knight, Ben Nicholson and Christopher Wood. The author describes the events and circumstances behind the making of many of the paintings, adding a further dimension to our appreciation of these fine works.

This volume presents a representative sample of contributions to the 41st European Marine Biology Symposium held in September 2005 in Cork, Ireland. The theme of the symposium was 'Challenges to Marine Ecosystems' and this was divided into four sub themes; Genetics, Marine Protected Areas, Global Climate Change and Marine Ecosystems, Sustainable Fisheries and Agriculture. The world's marine ecosystems face multiple challenges, some natural, but many resulting from humankind's activities. Global climate change, driven by influences of energy usage and industrial practices, is a reality now accepted by most of the world's scientists, media and political establishments. Warming seas and rising sea levels are regarded as threats, while visionaries consider deep ocean carbon disposal as a technological opportunity. Exploitation of the seas continues apace, with repeated concerns over the impact of over-fishing, plus reservations about the environmental effects of marine aquaculture. We need to understand how resilient organisms and ecosystems are to these challenges, while responding by protecting biologically-meaningful areas of the oceans. The subthemes of the 41st European Marine Biology Symposium address all of these matters.

Fishing in Ohio has made a remarkable comeback since the 1960s. Lake Erie is now among the nation's top walleye and smallmouth fisheries. Steelhead fishing on the central basin streams is as good as it gets, and improvements in water quality have revitalized sport fishing on the Ohio River. Ohio can boast one of the best muskie fisheries in the United States. The introduction of saugeye has brought quality Lake Erie-style walleye fishing to nearly every reservoir in the state. And Ohio streams have never provided a better catch of smallmouth, catfish, rock bass, sunfish, and trout. Fishing Ohio is the only guide with fishing information for every public lake and stream in the state. Adding in reservoirs, rivers, tailwaters, and wildlife areas, more than 200 top sites are included. Brand-new, this book covers the state--by Wildlife Districts--from the steelhead streams in the northeast to the walleye spawning grounds in the western basin, with special sections on the Ohio River and Lake Erie. Each entry describes the water, its game fish, and where to find them, and provides angling tips as well as advice on boat ramps, access, marinas, lodging, local attractions, and regulations. This book uncovers the good fishing found in every part of the state. Not only does Fishing Ohio lead the way to a great catch or a great day of fishing, but it also talks you into going.

By 1918, St Ives had a long tradition as an artists' community. It took as its standard the Royal Academy, which retained great popular appeal, but was neither forward-looking nor progressive. In 1920, it became the permanent home of one of the great innovators of the twentieth century, the potter Bernard Leach. At the outbreak of the Second World War, it provided shelter for a small group of the most progressive painters and sculptors, including notably Ben Nicholson and Barbara Hepworth, already leaders in the advanced art movements of the 1930s, and committed to the principle of abstraction. In the 1940s and 1950s, a remarkable group of younger artists came together in and around St Ives, making it a centre of avant-garde art activity. This book is concerned with those artistic events, especially during the years 1939-75, and the larger circumstances in the world of art by which they were affected, or which were affected by them. It describes the singular contribution of 'St Ives' to the art of our time.